SUBCULTURE PRESENTATION Grachiov s. 10 «Б»

GOTH

Current subcultural boundaries By the 1990s, the term "Goth" and the boundaries of the associated subculture had become more contentious. New youth subcultures emerged, or became more popular, some of them being conflated with the Goth subculture by the general public and the popular media. This conflation was primarily owing to similarities of appearance, and the fashions of the subcultures, rather than the musical genres of the bands associated with them. As time went on, the term was extended further in popular usage, sometimes to define groups that had neither musical nor fashion similarities to the original gothic subculture. By the 1990s, the term "Goth" and the boundaries of the associated subculture had become more contentious. New youth subcultures emerged, or became more popular, some of them being conflated with the Goth subculture by the general public and the popular media. This conflation was primarily owing to similarities of appearance, and the fashions of the subcultures, rather than the musical genres of the bands associated with them. As time went on, the term was extended further in popular usage, sometimes to define groups that had neither musical nor fashion similarities to the original gothic subculture.

The Goth subculture is a contemporary subculture prevalent in many countries. It began in the United Kingdom during the early 1980s in the gothic rock scene, an offshoot of the post-punk genre. The Goth subculture has survived much longer than others of the same era, and has continued to diversify. Its imagery and cultural proclivities indicate influences from nineteenth century Gothic literature, mainly through horror movies. The Goth subculture is a contemporary subculture prevalent in many countries. It began in the United Kingdom during the early 1980s in the gothic rock scene, an offshoot of the post-punk genre. The Goth subculture has survived much longer than others of the same era, and has continued to diversify. Its imagery and cultural proclivities indicate influences from nineteenth century Gothic literature, mainly through horror movies.

The Goth subculture has associated gothic tastes in music and fashion. Gothic music encompasses a number of different styles. Common to all is a tendency towards a "dark" sound and outlook. Styles of dress within the subculture range from death rock, punk, androgynous, some Renaissance and Victorian style clothes, or combinations of the above, most often with black attire, makeup and hair.

Fashion It is stereotyped as a dark, sometimes morbid, eroticized fashion and style of dress. Typical gothic fashion includes dyed black hair, dark eyeliner, black fingernails, black clothes, spikes, piercings and chains. Styles are often borrowed from the Elizabethans and Victorians. The extent to which Goths hold to this stereotype varies, though virtually all Goths wear some of these elements.

Ideology Defining an ideology of the gothic subculture is difficult for several reasons. First is the overwhelming importance of mood for those involved. This is, in part, inspired by romanticism and neoromanticism. The allure for Goths of dark, mysterious, and morbid imagery and mood lies in the same tradition. The rise of Romanticism's gothic novel during the 19th century saw feelings of horror being commercially exploited as a form of mass entertainment, a process continued in the modern horror film. Balancing this emphasis on mood, the other central element of the subculture is a conscious sense of camp theatricality or self-dramatization. Defining an ideology of the gothic subculture is difficult for several reasons. First is the overwhelming importance of mood for those involved. This is, in part, inspired by romanticism and neoromanticism. The allure for Goths of dark, mysterious, and morbid imagery and mood lies in the same tradition. The rise of Romanticism's gothic novel during the 19th century saw feelings of horror being commercially exploited as a form of mass entertainment, a process continued in the modern horror film. Balancing this emphasis on mood, the other central element of the subculture is a conscious sense of camp theatricality or self-dramatization.

Gothic music All Gone Dead All Gone Dead Bauhaus Bauhaus Bloody Dead And Sexy Bloody Dead And Sexy Cinema Strange Cinema Strange Clan Of Xymox Clan Of Xymox The Cure The Cure Das Ich Das Ich Dead Can Dance Dead Can Dance Deine Lakaien Deine Lakaien Diary of Dreams Diary of Dreams Ikon Ikon Fields Of The Nephilim Fields Of The Nephilim Joy Division Joy Division Lacrimosa Lacrimosa London After Midnight London After Midnight The Mission UK The Mission UK Nosferatu Nosferatu Siouxsie & the Banshees Siouxsie & the Banshees The Sisters of Mercy The Sisters of Mercy Sopor Aeternus Sopor Aeternus

Gothic movie Голод (Hunger, реж. Тони Скотт) Голод (Hunger, реж. Тони Скотт) Эдвард руки-ножницы (Edward Scissorhands, реж. Тим Бёртон) Эдвард руки-ножницы (Edward Scissorhands, реж. Тим Бёртон) Кошмар перед Рождеством (мультфильм) (Nightmare Before Christmas, реж. Тим Бёртон) Кошмар перед Рождеством (мультфильм) (Nightmare Before Christmas, реж. Тим Бёртон) Семейка Адамс (The Addams Family) Семейка Адамс (The Addams Family) Труп невесты (мультфильм) (Tim Burton`s Corpse Bride, реж. Тим Бёртон) Труп невесты (мультфильм) (Tim Burton`s Corpse Bride, реж. Тим Бёртон) Битлджюс (Beetlejuice, реж. Тим Бёртон) Битлджюс (Beetlejuice, реж. Тим Бёртон) Ворон (The Crow) Ворон (The Crow) Интервью с вампиром Интервью с вампиром Королева проклятых (Queen Of The Damned) Королева проклятых (Queen Of The Damned)

Gothic literature «Мейфейрские ведьмы» («Lives of the Mayfair Withes», автор Энн Райс) «Вампирские хроники» («The Vampire Chronicles», автор Энн Райс) «Интервью с Вампиром» (автор Энн Райс) «Граф Дракула» (автор Брэм Стокер)

Example

The END